STELLA BRENNAN and SU BALLARD (eds), 2008.
A comprehensive anthology, The Aotearoa Digital Arts Reader provides a snapshot of digital art practice in Aotearoa New Zealand with essays, artists’ pageworks and personal accounts that explore the production and reception of digital art.
REVIEW by ANDREW CLIFFORD, 2005
of STELLA BRENNAN’s Wet Social Sculpture at St Paul St Gallery
After opening an exhibition, most artists are usually worn out from frantic last-minute preparations, working the room and then the obligatory late dinner out.
ESSAY by ANDREW CLIFFORD, 2005
for SEAN KERR’s Game Boy exhibition at Michael Lett Gallery
Although Sean Kerr’s work often pays cheeky homage to the icons of art history, he is coy about citing specific influences.
ANDREW CLIFFORD interviews ADAM HYDE, 2005
for National Radio’s The Music Mix
In the first instance it was a medium for open, creative exploration of radio. Then, after a while, Honor and I started to wonder about what does this actually do to challenge the paradigm of radio itself?
PHOTOS by DANIEL BATKIN-SMITH, 2004.
A four-part performance series of NZ experimental and abstract electronic sound artists, djs, composers and improvisers, in collaboration with experimental filmmakers, visual collagists and vjs, Static Mansion is an opportunity to explore the interactivity of the live forum for performers who are engaged in exploring new, innovative and wayward directions in NZ electronic music,
LEIGH MARTIN inerviewed by ANDREW CLIFFORD, 2004
for LEIGH MARTIN ‘What:Noise’ at Jensen Gallery, Auckland.
But even a room full of floral prints can push the boundaries of the painterly process, leading him into the parallel realms of photography and experimental music.