In the space between the publication of The Aotearoa Digital Arts Reader in 2008 and the writing of this text, significant global developments in the marketability of born-digital art have taken place. Unlike earlier forms of dematerialised art production such as Conceptual Art, digital art has largely managed to avoid institutional recuperation through its resistance […]
Jackson Gittings How; Firstly, a brief introduction around the history of NFTs and the crypto market more generally. The relationship with evolving and expanding networks and tech infrastructure. Explaining the change in musical equipment and methods in producing, releasing, and consuming (streaming). What the NFT music market looks like at the moment, and how it’s […]