The hopeful decomposition of the massage chair devolves the apparatus to an indeterminate and uncertain state and brings back sensual contact with humans, non-humans, and the sub/urban environment.
Multiple forms as a materialisation of a beached whale and an installation as invitation to visit his resting place and attempt to reconstitute him
Imagining how technology is becoming interwoven with nature
a speculation on the harmful aspects of the media depicted
The Mutoscope questions are we really in control of our devices and data?
A representation of digital progress using architectural forms