Custom software tracks the movement of the eye across the screen, leveraging advertising mechanics while moving from commodified quantification to abstracted aesthetization. This first series comprises responses to works by Gretta Louw.
Combining the kaupapa of tukutuku with that of the QR code, Pattern Recognition is a collaboration between artists Vicki Smith (Harihari / S.V.Kiritea) and Aroha Timoti-Coxon (Hokitika, Te Runaka o Makaawhio, Ngati Waewae, Ngai Tahu) funded by the Intercreate Research Centre.
The full programme for the 8th ADA Symposium in Dunedin = Space: Network : Memory. Three days of presentations, panels, discussions and activities with national and international artists and academics. This event happened 13-15th September 2013 in the Dunedin Warehouse district (Vogel Street) and at Otago Polytechnic
The ADA/The Physics Room Equipment Pool is a national technology resource made available for artists and galleries in New Zealand. This resource is dedicated to supporting artists and exhibitors working with video and new media technology.
HELEN VARLEY JAMIESON & PAULA CRUTCHLOW, 2010
A unique live networked event where two ordinary houses are not only telematically connected, but are firmly engaged in the collaborative co-authoring of an event that discursively explores shared concerns around the global consequences of domestic politics.
SEAN KERR, 2010
Four online multi-user sound artists, performing from their bedroom, pinging each other sine wave tone with a few pops, bells and whistles. A work commissioned by ADA for the Electrosmog festival 2010.