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  • SYMPOSIUM
  • Bridget Reweti’s whenua-based video artworks exude an everydayness so disarming it almost camouflages their wero to colonial landscape conventions (picturesque, sublime, wild, pure, natural). Almost, but not quite – because the everydayness is the wero. Reviewed by Cassandra Barnett

    Strange land singing: the video art of Bridget Reweti by Cassandra Barnett

    Bridget Reweti’s whenua-based video artworks exude an everydayness so disarming it almost camouflages their wero to colonial landscape conventions (picturesque, sublime, wild, pure, natural). Almost, but not quite – because the everydayness is the wero. Reviewed by Cassandra Barnett

    December 15th, 2015
  • Presented by Julieanne Eason & the clinic,  "Between the dog and the wolf" is theatre re-contextualized. The audience is situated within the installation a 1950's bach the story unfolds in sound and video around them.

    Between the Dog and the Wolf

    Presented by Julieanne Eason & the clinic, “Between the dog and the wolf” is theatre re-contextualized. The audience is situated within the installation a 1950’s bach the story unfolds in sound and video around them.

    December 15th, 2015
  • The audience’s actions reveal and control this provocative interactive multimedia installation presented by Julieanne Eason (the clinic).

    I think it’s you who I’m waiting for

    The audience’s actions reveal and control this provocative interactive multimedia installation presented by Julieanne Eason (the clinic).

    November 15th, 2015
  • Error Message

    Error Message is an installation work comprised of digital audio-visual elements that engage with the aesthetics and methodology of the glitch, aggregated with found sculptural elements comprised of e-waste. The work seeks to explore the underlying materiality of the digital, and the relations of production that constitute and sustain the aura of the digital. The […]

    November 2nd, 2015
  • A collaborative work between artist collective Hubbub and Georgia Shattky that uses the 'data moshing' to enable audiences to manipulate and interact with a video work called "Glass in my mind"

    Glass In My Mind

    A collaborative work between artist collective Hubbub and Georgia Shattky that uses the ‘data moshing’ to enable audiences to manipulate and interact with a video work called “Glass in my mind”

    August 23rd, 2015
  • Gazemaps

    Custom software tracks the movement of the eye across the screen, leveraging advertising mechanics while moving from commodified quantification to abstracted aesthetization. This first series comprises responses to works by Gretta Louw.

    November 28th, 2014

 

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