Texts on and by members of The ADA Network, including reviews, interviews and essays.
-
Corticosteroid
MARCUS WILLIAMS AND SUSAN JOWSEY, 2007.
Artist Pages from The Aotearoa Digital Arts Reader, ed. Brennan and Ballard, 2008.
Photographs of the artists’ skin are mapped onto digitally constructed forms, which are then subject to a range of mutations. -
Untitled
LUKE DUNCALFE, 2008.
Artist Pages from The Aotearoa Digital Arts Reader, ed. Brennan and Ballard, 2008.
Duncalfe plays with a CAPTCHA, an acronym for ‘Completely Automated Public Turing Test to tell Computers and Humans Apart’. -
Mushroom
BRITT BUNKLEY, 2005.
Artist Pages from The Aotearoa Digital Arts Reader, ed. Brennan and Ballard, 2008.
Mushroom mixes mundane bricks and mortar with intimations of the annihilating power of atomic technology. -
Kawhia & Kete #1, 22, 20 and 83
LISA REIHANA, 2007.
Artist Pages from The Aotearoa Digital Arts Reader, ed. Brennan and Ballard, 2008.
“To ensure my work has resonance and meaning, I need to find a cultural approach to technology.” -
Postcards for Garland Briggs
AARON AND HANNAH BEEHRE, 2007.
Artist Pages from The Aotearoa Digital Arts Reader, ed. Brennan and Ballard, 2008.
“Not quite a velvet painting and certainly not a screensaver, Postcards for Garland Briggs introduces us to the virtualised world found in the spaces between the screen and the canvas”. -
Perfumes for Fear. No 1. Green
RAEWYN TURNER, 2008.
Artist Pages from The Aotearoa Digital Arts Reader, ed. Brennan and Ballard, 2008.
Information gathered from the colour of the lush, enchanted and contaminated landscape of New Plymouth, New Zealand, was translated and transformed into a fragrance.