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Huis Clos/No Exit – Jam
HELEN VARLEY JAMIESON (participant)
A performance screened at the HTTP gallery, London. Performers in Paris, Madrid, Hailuoto & Wellington were given a colour, and had four objects corresponding to one each of the colours. Our task was to perform sound whenever our colour appeared in someone’s web cam. We could choose which colour to show when, but we should try to listen to the piece, not to have one colour dominating, & not to show our selves. -
TradeAir
JAMES CHARLTON, 2009
TradeAir establishes a real time link between gallery visitors and the artist in his Auckland studio allowing for the collaborative inflation of rubber forms located in situ at Artspace. -
Open Interactions
KARL D. D. WILLIS, 2008.
From The Aotearoa Digital Arts Reader, ed. Brennan and Ballard, 2008.
What is an open-ended interaction with technology? Karl D.D. Willis discusses moving beyond simple action/reaction devices to the broader domain of emergence and machine creativity. -
Day In A Life (DIAL)
HELEN VARLEY JAMIESON (participant), 2008
A Long Distance Dance performance originally created in 2008, and restaged for the Electrosmog Festival in 2010. Helen Varley Jamieson participated from Brisbane with Suzon Fuks, James Cunningham, Scotia Monkivitch and team. -
a gesture through the flames
HELEN VARLEY JAMIESON, 2008
A solo performance using a Pollocks toy theatre & figures to tell a tragic love story in images. the soundtrack was the looped & layered voice of sally rodwell saying “the story is mine”, and the online audience created their own narrative in the text chat window -
Testing 1…2…3…
CAROLINE McCAW with many participants, 2004
Testing 1…2…3… was a public artwork event in three Dunedin inner city locations with live text messaging reviews. Unlike the earlier picnic events, visitors could physically walk to each of the three locations, and send and receive text message reviews throughout the period of the event.