ADAM HYDE, ZITA JOYCE, ADAM WILLETTS, HONOR HARGER (organisers), 2005
re:mote: auckland was the first in a series of one-day experimental festivals, bringing together new media art practitioners and theorists from Europe, Japan, Australia and New Zealand to discuss the theme of remoteness and technology.
ESSAY by MARY MORRISON, 2005
for BILLY APPLE ‘Severe Tropical Storm 9301 Irma’ at Window Gallery, Auckland
In March 1993, Apple was a passenger aboard the Chiricana, a refrigerated cargo vessel transporting a cargo of high quality squash from New Zealand to Japan.
ANDREW CLIFFORD interviews ADAM HYDE, 2005
for National Radio’s The Music Mix
In the first instance it was a medium for open, creative exploration of radio. Then, after a while, Honor and I started to wonder about what does this actually do to challenge the paradigm of radio itself?
ESSAY by ADAM HYDE, 2004
while Digital Artist in Residence at Waikato University
It needs to be said that sharing music online has been going on for a very long time. Perhaps the first substantial example of this was with the sharing of Tracker files over Bulletin Boards.
ESSAY by KARLA PTACEK and HELEN VARLEY JAMIESON, 2004
for trAce Online Writing Centre
This article was first published on the trAce web site and won the Process Award in trAce and Writers for the Future’s New Media Article Writing Competition, Nov. 2004
ESSAY by MARK HARVEY, 2004
for JAE HOON LEE ‘Translucent’ at Window Gallery, Auckland
To be translucent is to operate with transparency, or, to diffuse the pathway of light. What we think we see might be what we see, though, it just as easily might not.