Author Archive
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Considering Digital Arts in New Zealand
PAPER by SU BALLARD, 2006
Presentation given at Transmediale Berlin reflecting on the development of ADA the facilitation of digital practice; the ways that these histories are being recorded and constructed; and the kinds of relationships that might be emerging across public and gallery spaces. -
Tetsuo Kogawa’s Radio Party
PHOTOS by STELLA BRENNAN, 2006
Documentation of two days of mini-FM festivities. -
Framed: Sean Cubitt
SIMON MILLS interviews SEAN CUBITT, 2006
for Frame Journal
At the heart of it all is communication, and the actuality of communication is mediation: the fact that all communication is mediated, takes a shape in matter and energy, space and time, and now in entropy and emergence. -
ADA_emerge, 2005
The third ADA symposium ADA_emerge, focused on notions of emergence and was hosted by University of Otago and Dunedin School of Art. International keynotes were presented by Steve Dietz, Melinda Rackham and Anna Munster. It included a screening and performance programme at the Dunedin Public Art Gallery.
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ADA _emerge: Programme
Friday 25 November Registration and Opening Event, Dunedin Public Art Gallery, 7-12 pm Sound: Michael Morley (Dunedin), Simon Kong (Christchurch), Alison Isadora (Netherlands) Image: Daniel Belton and Good Company, Iain Cheesman, Kim Pieters and Peter Stapleton, Nathan Thompson, Ana Terry, Stella Brennan, Don Hunter. 7.00 Doors and Bar Open, Conference Registrations. 7.30 Screenings Stella Brennan: […]
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ADA_emerge: Symposium Review
ADA was born of the observation that although new media artists were often highly networked in terms of both their own practice and their professional relationships, there was no national organization drawing together those with a common interest in digital art.