AARON AND HANNAH BEEHRE, 2007.
Artist Pages from The Aotearoa Digital Arts Reader, ed. Brennan and Ballard, 2008.
“Not quite a velvet painting and certainly not a screensaver, Postcards for Garland Briggs introduces us to the virtualised world found in the spaces between the screen and the canvas”.
RAEWYN TURNER, 2008.
Artist Pages from The Aotearoa Digital Arts Reader, ed. Brennan and Ballard, 2008.
Information gathered from the colour of the lush, enchanted and contaminated landscape of New Plymouth, New Zealand, was translated and transformed into a fragrance.
LEON NARBEY, 1970.
Artist Pages from The Aotearoa Digital Arts Reader, ed. Brennan and Ballard, 2008.
JANINE RANDERSON, 2008.
From The Aotearoa Digital Arts Reader, ed. Brennan and Ballard, 2008.
Janine Randerson explores how new media art is “enmeshed with the old”.
ADAM HYDE, 2008.
From The Aotearoa Digital Arts Reader, ed. Brennan and Ballard, 2008.
Hyde explains why he believes free software should be accompanied by free documentation or user manuals, and sets some parameters for identifying and developing good quality documentation.
EU JIN CHUA, 2008.
From The Aotearoa Digital Arts Reader, ed. Brennan and Ballard, 2008.
Should we consider short Internet movies a form or genre? Eu Jin Chua explores the unique qualities of streaming Internet films – often fuzzy, fragmented or re-edited with “unpolished amateurism”, and shaped by the necessities and constraints of transmitting over the Web.