A growing archive of digital and media art projects created and presented by members of the ADA Network.
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iForm
JAMES CHARLTON and COMOB, 2010
A process-based work that visualizes 3D forms from GPS data generated by the movement of iphone participants through the landscape. -
Soundwalk / Klanggang
LUKE MUNN and SAM HAMILTON, 2010
In this project, two field recordings from Auckland and Berlin are created on the same day by walking the length of two iconic streets: K’Road and Kottbusser Damm. These recordings are mapped onto a simple web interface, allowing users to ‘walk’ with Hamilton and Munn, or skip to the next block, re-listen to a passing conversation, or dip in and out. -
Huis Clos/No Exit – Jam
HELEN VARLEY JAMIESON (participant)
A performance screened at the HTTP gallery, London. Performers in Paris, Madrid, Hailuoto & Wellington were given a colour, and had four objects corresponding to one each of the colours. Our task was to perform sound whenever our colour appeared in someone’s web cam. We could choose which colour to show when, but we should try to listen to the piece, not to have one colour dominating, & not to show our selves. -
TradeAir
JAMES CHARLTON, 2009
TradeAir establishes a real time link between gallery visitors and the artist in his Auckland studio allowing for the collaborative inflation of rubber forms located in situ at Artspace. -
Never Been To Tehran
JAMES CHARLTON (participant), 2007
Using secondhand clues as firsthand research materials, invited worldwide contributors–who have Never Been to Tehran–took photographs (from their home base) of what they imagine Tehran to look like. Organised by Andrea Grover and Jon Rubin, with participants from 17 countries -
Albedo of Clouds
JANINE RANDERSON, 2008.
The Albedo of Clouds is an interactive experiment in the form of a conversation between three cloud observers: an artist, a sound artist and a meteorological satellite. As well as mediating between different modes of cloud observation, the subjective nature of cloud gazing is investigated in terms of how different technologies ‘see’ clouds, and how clouds might sound.