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  • SYMPOSIUM
  • MAREE MILLS, 2008.
From The Aotearoa Digital Arts Reader, ed. Brennan and Ballard, 2008.
Maree Mills explores the new possibilities of digital media for female Maori artists through three Maori concepts: the wharenui, taonga tuku iho, and manawa whenua.

    Contemporary Maori Women’s New Media Art Practice

    MAREE MILLS, 2008.
    From The Aotearoa Digital Arts Reader, ed. Brennan and Ballard, 2008.
    Maree Mills explores the new possibilities of digital media for female Maori artists through three Maori concepts: the wharenui, taonga tuku iho, and manawa whenua.

    August 29th, 2008
  • DANNY BUTT, 2008.
From The Aotearoa Digital Arts Reader, ed. Brennan and Ballard, 2008.

    Local Knowledge and New Media Theory

    DANNY BUTT, 2008.
    From The Aotearoa Digital Arts Reader, ed. Brennan and Ballard, 2008.

    August 29th, 2008
  • ZITA JOYCE, 2008.
From The Aotearoa Digital Arts Reader, ed. Brennan and Ballard, 2008.
Zita Joyce examines the work of New Zealand artists exploring the broader social and political implications of radio transmission and attempting to “find human meaning” in radio space.

    Electromagnetic Dreams…

    ZITA JOYCE, 2008.
    From The Aotearoa Digital Arts Reader, ed. Brennan and Ballard, 2008.
    Zita Joyce examines the work of New Zealand artists exploring the broader social and political implications of radio transmission and attempting to “find human meaning” in radio space.

    August 29th, 2008
  • SEAN CUBITT & BEVIN YEATMAN, 2008.
From The Aotearoa Digital Arts Reader, ed. Brennan and Ballard, 2008.
Cubitt and Yeatman look back on the Digital Artists in Residence Programme at Waikato University, born out of a framework of ‘criticism and creativity’ in 2000.

    The Digital Artist in Residence Programme

    SEAN CUBITT & BEVIN YEATMAN, 2008.
    From The Aotearoa Digital Arts Reader, ed. Brennan and Ballard, 2008.
    Cubitt and Yeatman look back on the Digital Artists in Residence Programme at Waikato University, born out of a framework of ‘criticism and creativity’ in 2000.

    August 29th, 2008
  • DOUGLAS BAGNALL, 2008.
From The Aotearoa Digital Arts Reader, ed. Brennan and Ballard, 2008.
Douglas Bagnall explains what ‘digital’ really means, using examples we don’t often associate with the digital, such as language, song and weaving.

    What is Digital? Concepts and a Chronology

    DOUGLAS BAGNALL, 2008.
    From The Aotearoa Digital Arts Reader, ed. Brennan and Ballard, 2008.
    Douglas Bagnall explains what ‘digital’ really means, using examples we don’t often associate with the digital, such as language, song and weaving.

    August 29th, 2008
  • DOUGLAS BAGNALL, 2008.
Artist Pages from The Aotearoa Digital Arts Reader, ed. Brennan and Ballard, 2008.
The Classifier assists people by learning their taste in clouds and extrapolating these preferences to unseen images.

    Cloud Shape Classifier

    DOUGLAS BAGNALL, 2008.
    Artist Pages from The Aotearoa Digital Arts Reader, ed. Brennan and Ballard, 2008.
    The Classifier assists people by learning their taste in clouds and extrapolating these preferences to unseen images.

    August 29th, 2008

 

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