VICKI SMITH & ADAM HYDE, 2008.
From The Aotearoa Digital Arts Reader, ed. Brennan and Ballard, 2008.
A Skype chat conversation between Vicki Smith and Adam Hyde explores “what it means to be remote in an electronic art world”, including issues of presence, liveness, communication and connectivity around digital technologies.
HELEN VARLEY JAMIESON (participant), 2008
A Long Distance Dance performance originally created in 2008, and restaged for the Electrosmog Festival in 2010. Helen Varley Jamieson participated from Brisbane with Suzon Fuks, James Cunningham, Scotia Monkivitch and team.
HELEN VARLEY JAMIESON, 2008
A solo performance using a Pollocks toy theatre & figures to tell a tragic love story in images. the soundtrack was the looped & layered voice of sally rodwell saying “the story is mine”, and the online audience created their own narrative in the text chat window
ADAM HYDE, ZITA JOYCE, ADAM WILLETTS, HONOR HARGER (organisers), 2005
re:mote: auckland was the first in a series of one-day experimental festivals, bringing together new media art practitioners and theorists from Europe, Japan, Australia and New Zealand to discuss the theme of remoteness and technology.
ESSAY by KARLA PTACEK and HELEN VARLEY JAMIESON, 2004
for trAce Online Writing Centre
This article was first published on the trAce web site and won the Process Award in trAce and Writers for the Future’s New Media Article Writing Competition, Nov. 2004
KARLA PTACEK and VICKI SMITH, 2004
A project developed between two groups of students from Westland High School [Hokitika] and Eltham Hill College for Girls [London] through asynchronous discussion and sharing of files [image, text, sound and video] while they learned how to develop artefacts for, and engage through, the newly developed online theatre space UpStage.