Upcoming events, workshops, and conferences, as well as archived happenings.
Dark Patterns in Contemporary Internet Design HTML Forms from Harwood YoHa on Vimeo. A recent study published by two Facebookers shows that not only is the company collecting data on ‘self-censorship’ behaviour of their users, the browser code that makes this monitoring possible is also capable of ‘reading’ what you type – before you even […]
Sunday 14 Sept <10.30am> Chair ~ Dan Dixon Becca Wood – Artist, Choreoauratics Carol Brown & Russell Scoones – Artists Rituals of Place and Sound fields Tracey Benson – Artist, Finding the Ghosts of K-Road 5-10 minutes presentation each then facilitated discussion. https://vimeo.com/114282832 This panel explores the poetics of respons(ability) through works that performs the city through headphonic-led urban encounters and an […]
Saturday 13 September <2.30pm> Chair Caroline McCaw, Academic Leader Communication, School of Design, Otago Polytechnic Andrea Selwood – Artist, Raising the Creek Chris Berthelsen – Artist, Making Friends Sarah Smuts-Kennedy & Taarati Taiaroa – Artists, Make the Park 5-10 minutes presentation each then facilitated discussion. How often do we or are we able to think about all of the layers and […]
Saturday 13 September <11.00am> Chair Ted Whitaker Miriam Ross – Artist, 3D Film Landscapes Dan Untitled – Artist, DJ3D14 Judith Robinson – The Mobility of Tiki in Architecture Kedron Parker & Bruce McNaught – The Wet Index 5-10 minutes presentation each then facilitated discussion. In the destruction of Christchurch, people experienced a loss of the city in terms […]
Friday 12 September <1.00pm> Chair, Carole Anne Meehan – Public Art Manager, Auckland Council Maggie Buxton – Artist, ‘Place’ Tracey Williams – Curator, Auckland Council Vanessa Crowe – Artist, Mood Bank Jeanne van Heeswijk – Artist, Keynote for Engaging Publics/Public Engagement 5-10 minutes presentation each then facilitated discussion. Here we are interested to look at the role […]
A Social Choreography for the Ears How might listening prosthetically choreograph acts of recovery? This question is brought to the site of the disappearing St James Theatre and its civic surrounds. A headphonic sound score mobilises a collective body of participants, effecting and politicising the way they activate this urban site. Listening becomes an action […]