Texts on and by members of The ADA Network, including reviews, interviews and essays.
With a shared interest in gaming, chiptune music production and utopian beliefs of world-building, Tokerau Teokotai Brown (Big Fat Raro, Fanau Spa) takes us on a journey through the practice of E-Kare, the artist duo consisting of Jos van Beek (Fauxhound, T.A.B) and Piupiu Maya Turei (PMT). Tokerau leads a fluid yet interwoven conversation around […]
In the space between the publication of The Aotearoa Digital Arts Reader in 2008 and the writing of this text, significant global developments in the marketability of born-digital art have taken place. Unlike earlier forms of dematerialised art production such as Conceptual Art, digital art has largely managed to avoid institutional recuperation through its resistance […]
The first image in the Instagram account @sione_has_doubts is a drawing. It’s rendered with brushes and pens in an iPad painter’s app and presents a self-portrait of the artist, Sione Tuívailala Monū, candidly glancing beyond the frame. Monū holds a cigarette in one hand and could be picking an eyelash off their cheek with the […]
“It was not only the patient who was relieved from pain by anaesthesia. The effect was profound upon the surgeon.” [1] Susan Buck-Morss Anaesthesia is not only a medical tool. Long ago I read Susan Buck-Morss’s essay about anaesthetics, in which she characterised it as an aspect of aesthetics—an aspect, that is, of the sensory relations […]
In November 2015, the Aotearoa Digital Arts Network (ADA) brought together eight artists and writers in post-quake Ōtautahi Christchurch for a ‘book sprint’, the collaborative writing of a book over the course of five days. The result, A Transitional Imaginary: Space Network and Memory in Christchurch
Bridget Reweti’s whenua-based video artworks exude an everydayness so disarming it almost camouflages their wero to colonial landscape conventions (picturesque, sublime, wild, pure, natural). Almost, but not quite – because the everydayness is the wero. Reviewed by Cassandra Barnett