Texts on and by members of The ADA Network, including reviews, interviews and essays.
In the space between the publication of The Aotearoa Digital Arts Reader in 2008 and the writing of this text, significant global developments in the marketability of born-digital art have taken place. Unlike earlier forms of dematerialised art production such as Conceptual Art, digital art has largely managed to avoid institutional recuperation through its resistance […]
The first image in the Instagram account @sione_has_doubts is a drawing. It’s rendered with brushes and pens in an iPad painter’s app and presents a self-portrait of the artist, Sione Tuívailala Monū, candidly glancing beyond the frame. Monū holds a cigarette in one hand and could be picking an eyelash off their cheek with the […]
“It was not only the patient who was relieved from pain by anaesthesia. The effect was profound upon the surgeon.” [1] Susan Buck-Morss Anaesthesia is not only a medical tool. Long ago I read Susan Buck-Morss’s essay about anaesthetics, in which she characterised it as an aspect of aesthetics—an aspect, that is, of the sensory relations […]
In November 2015, the Aotearoa Digital Arts Network (ADA) brought together eight artists and writers in post-quake Ōtautahi Christchurch for a ‘book sprint’, the collaborative writing of a book over the course of five days. The result, A Transitional Imaginary: Space Network and Memory in Christchurch
Cyposium – the book, a compilation of the 12 hour online event presenting and discussing the history and breadth of online and networked performance edited by Annie Abrahams and Helen Varley Jamieson.
Attendance at ISEA 2013, supported by Creative New Zealand is an output of the ADA Mesh Cities project. ADA members presented a panel titled Media Art and the Transitional City. The ISEA roundtable conversation has been worked into a paper for publication in the ISEA conference proceedings.