JAMES CHARLTON and COMOB, 2010
A process-based work that visualizes 3D forms from GPS data generated by the movement of iphone participants through the landscape.
HELEN VARLEY JAMIESON (participant)
A performance screened at the HTTP gallery, London. Performers in Paris, Madrid, Hailuoto & Wellington were given a colour, and had four objects corresponding to one each of the colours. Our task was to perform sound whenever our colour appeared in someone’s web cam. We could choose which colour to show when, but we should try to listen to the piece, not to have one colour dominating, & not to show our selves.
JAMES CHARLTON, 2009
TradeAir establishes a real time link between gallery visitors and the artist in his Auckland studio allowing for the collaborative inflation of rubber forms located in situ at Artspace.
JAMES CHARLTON (participant), 2007
Using secondhand clues as firsthand research materials, invited worldwide contributors–who have Never Been to Tehran–took photographs (from their home base) of what they imagine Tehran to look like. Organised by Andrea Grover and Jon Rubin, with participants from 17 countries
HELEN VARLEY JAMIESON (participant), 2008
A Long Distance Dance performance originally created in 2008, and restaged for the Electrosmog Festival in 2010. Helen Varley Jamieson participated from Brisbane with Suzon Fuks, James Cunningham, Scotia Monkivitch and team.
HELEN VARLEY JAMIESON, 2008
A solo performance using a Pollocks toy theatre & figures to tell a tragic love story in images. the soundtrack was the looped & layered voice of sally rodwell saying “the story is mine”, and the online audience created their own narrative in the text chat window